| THE NEW YORK TIMES, SUNDAY, OCTOBER 11, 
    1964
 MUSEUM FOUNDER VIEWS TOYS HERE
 Scottish Antiquarian Seeks
 Displays on Child Life
 
 By GRACE GLUECK
 
     By Dick Darcey, Staff Photographer
 Patrick Murray is setting the museum world on 
    fire.
      The founder and 
    director of the world's only Museum of Childhood, established seven years 
    ago in Edinburgh, Scotland, for nostalgic adults, paused briefly in New York 
    recently on his first visit to the United States. Almost before you could 
    say Winnie-the-Pooh-and-Piglet, he had popped into F.A.O. Schwarz's, sized 
    up two local museums, talked with a reporter and was off to address a 
    convention of the Mechanical Bank Collectors of America at Gettysburg, Pa.
    "The Museum's doing fantastically well" said Patrick 
    Murray, F.S.A. Scot., a genial,teddy-bear-shaped man of 56 with the 
    animation of a super-charged battery toy. "Our attendance this year will hit 
    about 40,000, with visitors from all over the world."
 Mr. Murray (the F.S.A. Scot. stands for Fellow, 
    Scottish Society of Antiquarians), a bachelor who favors children mainly 
    "when they're bathed and en route to bed." says he casually hatched the 
    notion of a museum about children — not for them" as a working member of 
    Edinburgh Town Council in 1957 (he's now an honorary one).
 The council gave him two "dreary" rooms in a restored 
    18th-century mansion on High Street, owned by the city.
 More Than 25,000Items
 "We had six battered exhibition cases and 
    almost no storage space," Mr. Murray recalled. "For several months, nothing 
    came in that I hadn't found, stolen or bought myself."
 But by the end of the second year, the museum had 
    proved such a hit that the council bought a four-story building for it just 
    down the street. "That one's already crammed," said Mr. Murray. "We now get 
    an average of about 80 to 100 gifts a week. We can only put about half of 
    our more than 25,000 exhibits on display."
 Neatly arranged in such categories as Wooden Toys; 
    Christmas Bits and Pieces; Sweets, Biscuits and Chocolate Boxes; Examples of 
    Stitchwork and Sewing, the exhibits range the bygone world of British 
    childhood from infancy to age 12. Only the toy section, which forms the 
    largest group, is international.
 The oldest item is an Egyptian grave doll, 4000 B.C., 
    described by Mr. Murray as "a wicked little thing." The Museum also has its 
    contemporary counterpart, a "Miss Revlon" dress-up doll of 1957, donated by 
    a New York couple.
 An 18-Room Doll House
 But amid the welter of 19th-century and early 
    20th-century toy weapons, paper dolls, seaweed pictures and nursery 
    medicines that jam the museum's four floors, the prize is an 18-room doll 
    house, which Mr. Murray calls "the finest ever made." It is the life work of 
    a Hampshire spinster, who parted with it on her death bed. and it is 8 feet 
    long, 5 feet high and boasts more than 2,000 pieces of scaled furniture. 
    Miniscule mice romp on the kitchen floor and chips of real coal fill the 
    fireplaces.
 Mr. Murray, who will search for acquisitions was elated 
    by a find at Schwarz' Antique Toy Department — a cast iron hook-and-ladder 
    fire truck from the nineteen-twenties. "A typical American toy," he said. 
    "No one else used that heavy cast iron."
 He tends to favor American toys over European. "They're 
    far more interesting and vivid. For example, this was the only country that 
    ever produced a first-class toy horse."
 "But now," he said , "you people had better puff up 
    your socks. Others are gaining on you. The British, for example, are making 
    really superb miniatures, though you still can't beat American plastic 
    construction kits."
 
     IN AN EDINBURGH 
    DOLL'S HOUSE:
    This is scene in the kitchen of 18-room doll's 
    house in Museum of Childhood. Tiny mice and a bird in a cage are among 
    items.
 
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