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      The Football Bank — A 
      Calamity 
      by Sy Schreckinger – ANTIQUE TOY WORLD Magazine – August, 1985 
            The subject of this article depicts a sport 
      which originated in ancient and medieval Britain. The game we recognize as 
      "football" developed from the disorganized, confused, and, often, violent 
      "melees" which attempted to punch, carry, or kick an oval object, usually 
      the inflated bladder of an animal, toward some goal. It was not until the 
      early 19th century that football became more orderly, with the U.S. 
      colleges and universities and the great English public schools adapting 
      variations of the game of kicking or booting a round, inflated ball. The 
      development of modern football, as we know it, was effected between 1906 
      and 1912. 
           With "footballmania" sweeping the United States, it wasn't surprising 
      that a toy mechanical bank reflecting the football theme would be designed 
      (Figure 1) and offered for sale to a receptive public. On August 29, 1905, 
      James H. Bowen, of Philadelphia, Pennsylvania, was granted Patent number
		798,491 for his design and invention of the "Calamity" mechanical bank. 
      This patent protects both the design and internal mechanism of the bank 
      (Figure 2). 
           Production of the Calamity bank was executed by the J. and E. Stevens 
      Co., of Cromwell, Connecticut, and is pictured in their catalog (Figure 3) 
      at $1.00 each, packed in its own wooden box. As evidenced by the 
      photograph in Figure 1, it may be said that Bowen's patent drawings were 
      stringently adhered to. 
           There are no casting variations of which I am aware. The basic color 
      scheme is also standardized, except for some instances where the colors of 
      the players' uniforms have been reversed. 
          
      The colors of the Calamity bank pictured in Figure 1 are as follows: all 
      three players have tan helmets, vests, and knickers; they have olive green 
      shoulder pads and brown shoes, belts, and hair. Their hands and faces are 
      pink flesh-colored, with red mouths and eyes that have white corneas with 
      black pupils. The ball carrier's knee-socks, shirt sleeves, and collar are 
      painted blue-gray. His two opponents' knee-socks, shirt sleeves, and 
      collars are maroon. The football is olive green. The base of the bank is 
      painted red with gold trim, as are its two hind legs. The top of the base 
      is bright green with gold, highlighting the raised floral design as well 
      as the words, "A Calamity." 
           The action of the Calamity bank is exciting, surprising, and 
      extremely amusing. To set the bank for its action, both side football 
      players are pulled back, automatically locking into position behind the 
      ball carrier. A coin is placed into the slot on top of the base; the lever 
      is then pressed. Simultaneously, the ball carrier lunges forward; his two 
      opponents swing around in front of him, and all three meet with a sharp 
      crack of their foreheads. The coin then falls into the base. the lack of 
      paint remaining on the faces of almost all Calamity banks gives credence 
      to the harsh treatment these figures experienced. 
           It is of further interest to note that the designer of this obviously 
      bold and aggressive bank, James H. Bowen, also designed the delicate "Girl 
      Skipping Rope" bank, an example of grace, serenity, and tranquility. 
           The Calamity's violent action, coupled with its delicately designed 
      castings, have resulted in breakage of many of these banks – a factor 
      which accounts for much of its rarity today. This scarcity, as may be 
      expected, has spawned an abundance of recasts. I am, therefore, including 
      a base diagram (Figure 4) to aid in determining an original Calamity bank 
      from a reproduction. The recast will appear approximately one-eighth inch 
      smaller in length than indicated in the diagram. 
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